Two people, a young woman and a young man, are waiting at a motorway intersection. An anxiety lies in the air. In the rising noise of traffic they look at each other, their glances become one with the perspective of the passing cars. The noise passes through the grey concrete walls, the green traffic islands, train tracks, trucks and the highway parking lot. Time passes slowly among the constant traffic, the trucks parked in different colors and a disused motorway entrance. Nomads takes the static perspective of a fragmented space in transit. The stagnation of interpersonal dynamics meets massive and weighty forms of urban architecture. Emotional landscapes proceed parallel to the perspectives of concrete motorway formations.